Enchanted Realities – Tan Lijie Selected Works
2013-2022
19 August – 1 September 2023
26 August – 3 September 2023
Saturday 9 September – Sunday 22 October 2023 (Saturdays and Sundays only)
Overview
A Chinese artist presents contemporary visions of reciprocity between humanity, Nature and the heavenly.
This exhibition showcases videos, photographs and assemblages by the Chinese contemporary artist Tan Lijie representing imagined coexistences between lived realities, enchanted realms, reveries and dreamscapes.
The multi-dimensionality of Tan’s work gives rise to subtly transporting atmospheres and myriad aesthetic affects which suspend fixed perceptions of the real as well as any orderly sense of time and space.
Tan’s work is informed by personal concerns about the controlling expectations and devastating environmental impact of present-day, materially obsessed, societies. It is also marked by the residual traces of traditional Chinese Confucian-literati culture and its aspirations toward a harmonious – mutually sustaining – aestheticized reciprocity between humanity, Nature and the heavenly.
Enchanted Realities -Tan Lijie, Selected Works 2013-2022Ìýis curated with reference to Johnson.ÌýTzong-zung Chang’s conception of the Yellow Box; an intervention with internationally dominant modes of gallery display intended as conducive to the showing of works characterized by the harmonizing reciprocity of traditional Chinese Confucian-literati aesthetics.
Tan continues to live and work in her home city of Shenzhen at the border between mainland China and Hong Kong – an interstitial space resonant with the indeterminate aesthetics of the artist’s work.
Discover More of Tan Lijie’s Work
Keen to explore more of the artist's work? Don’t miss the 2024 exhibitionÌý"Rain on the Platform – Tan Lijie, Selected Works"Ìýin Taiwan.
The artist
Tan Lijie (b. 1991) was awarded a Master of Fine Arts degree from the Intermedia School of The China Academy of Fine Arts, Hangzhou (2017) and studied as an exchange student at Kingston University, London (2015). A one-person exhibition of Tan’s work was held at The Chinese University of Hong Kong, Shenzhen (2022). Her work has also been included in group exhibitions at The Salamanca Arts Centre, Hobart Tasmania, The Cipa Gallery, Beijing, the Central Academy of Fine Arts Museum, Beijing and the Djanogly Gallery of The University of Nottingham, United Kingdom. Her video, The World was awarded Best Creative (drama) at the Global Chinese University Student Film Awards (2012). Tan’s video, Haussmann in the Tropics is in the collection of the White Rabbit Gallery, Sydney.
The curators
Lynne HOWARTH-GLADSTONÌýis an artist, curator, and researcher. She has exhibited her paintings internationally, including in China, the UK, and Australia, and was lead curator of the exhibitions ‘New China/New Art: Contemporary Video from Shanghai and Hangzhou,’ Djanogly Art Gallery, University of Nottingham, Nottingham, UK (2015) and ‘Dis-/Continuing Traditions: Contemporary Video Art from China,’ Salamanca Arts Centre, Hobart, Tasmania, Australia (2021). Her Ph.D. thesis is the first to engage critically with the work of the nineteenth-century botanical illustrator, Marianne North. She was a contributor to the BBC4 documentary, Kew’s Forgotten Queen: The Life of Marianne North (2016).
Paul GLADSTONÌýis the inaugural Judith Neilson Chair Professor of Chinese Contemporary Art at the University of New South Wales, Sydney and a Distinguished Affiliate Fellow of the UK-China Humanities Alliance, Tsinghua University, Beijing. His numerous book-length publications includeÌýContemporary Chinese Art: A Critical HistoryÌý(2014), awarded ‘best publication’ at the Awards of Art China (2015), andÌýContemporary Chinese Art, Aesthetic ÌýModernity and Zhang Peili:ÌýTowards a Critical ContemporaneityÌý(2019). He wasÌýan advisor to the internationally-acclaimed exhibitionÌý‘Art of Change: New Directions from China’, Hayward Gallery-South Bank Centre, London (2012).
Delve Deeper:ÌýRelevant Research by the Chair Ìý
Paul Gladston,ÌýContemporary Chinese Art, Aesthetic Modernity and Zhang Peili: Towards a Critical ContemporaneityÌý- Bloomsbury Academic (Literature and Philosophy) ‘Aesthetics and Contemporary Art’ series, David Carrier and Tiziana Adina eds. (London: Bloomsbury, 2019) ISBN-10:Ìý1350041971ÌýISBN-13:Ìý978-1350041974
Paul Gladston, Lynne Howarth-Gladston, Jason Kuo and Johnson Tsong-zung Chang,ÌýRethinking Displays of Chinese Contemporary Art: Cultural Diversity and TraditionÌý(Palgrave, 2024) Ìý