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Dr Patricia Flanagan

Dr Patricia Flanagan

Senior Lecturer

DoctorÌýof Philosophy, (Public Art)ÌýUniversity of Newcastle Australia;

Master of Fine Arts, (Public Art and New Artistic Strategies)Ìý1st class,ÌýBauhaus University Weimar Germany;

Bachelor of Fine Arts, (Sculpture)ÌýUniversity of Newcastle Australia;

Associate Diploma in Arts (Fashion Production, Custom Clothing)Ìýawarded with honoursÌýTAFE NSWÌý

Arts, Design & Architecture (ADA)
School of Art & Design

Dr. Patricia Flanagan is an artist, designer and academic whose work is represented in private and public collections in Australia, Ireland, Germany, Italy and China. TriciaÌýhas an extensiveÌýinternational exhibition portfolio includingÌýthe Hong Kong Heritage Museum, Taipei Museum ofÌý Contemporary Art and Kunstraum Kreuzberg/Bethanien Berlin and wasÌýtheÌýrepresentative for Oceania at the Tournai Contemporary Textiles Biennial Belgium.

Tricia's work has, at its foundation, a systems thinking approach. Her practiceÌýincludes,Ìýcritical and speculative wearables, site-specific sculptural installation, social sculpture and performance installation, often combiningÌýhand craftedÌýart and designÌýpractices with digital technologies.

Tricia established the Wearables Lab at the Academy of Visual Art at Hong Kong Baptist University in 2009. She currently works as a Lecturer for the University of New South Wales in the School of Art and Design, Faculty of Arts,ÌýDesign andÌýArchitecture where she is the co-director of the Interactive Media Lab and Lead Researcher Wearables at the Creative Robotics Lab.

Ìý
Phone
+61 (2) 8936 0791
E-mail
patricia.flanagan@unsw.edu.au
Location
Block F, Office F113, Cnr Greens Road and Oxford Street Paddington
  • Book Chapters | 2023
    Flanagan P; Blamires S; Spicer P; Frankjaer R; Hosseini M, 2023, 'Hybrid Sensor Configurations', in Das S; Thomas S; Das P (ed.), Organic and Inorganic Material Based Sensors - Hybrid nano-bio structured and polymer materials as sensing devices: an overview of materials, fabrication, properties and applications: State of the art, new challenges and opportunities, WILEY, Weinheim, Germany, pp. 675 - 688,
    Book Chapters | 2021
    Flanagan P, 2021, 'Making Tangible the Intangible Gestures of Craft', in Mahbub U; Ahad AR; Rahman T (ed.), Contactless Human Activity Analysis, Springer Nature, Switzerland, pp. 293 - 333,
    Book Chapters | 2021
    Flanagan PJ, 2021, 'Making Tangible the Intangible Gestures of Craft', in Contactless Human Activity Analysis, pp. 293 - 333,
    Book Chapters | 2019
    Flanagan P; Frankjaer R, 2019, 'Cyborganic wearables: sociotechnical misbehavior and the evolution of non-human agency', in Koistinen A-K; Karkulehto S; Varis E (ed.), Reconfiguring Human, Non-Human and Posthuman in Literature and Culture, Routledge, New York, pp. 236 - 260,
    Book Chapters | 2019
    Frankjaer R; Flanagan P, 2019, 'The Technocrafted Posthuman: Introducing Cyborganics', in Silina D; Smite R; Smits R (ed.), Virtualities and Realities, New Experiences, Art and Ecologies in Immersive Environments, RIXC Centre for New Media Culture, Riga, Latvia, pp. 175 - 184,
    Book Chapters | 2018
    Flanagan T, 2018, 'Cricket Songs', in Wong S; LIAO P-Y (ed.), The Charismatic Rebirth of Yore, Taipei Cultural Foundation Museum of Contemporary Art, Taipei, pp. 132 - 141
    Book Chapters | 2017
    Flanagan P, 2017, 'From thread to artefact: the shape of a walk and the geography of sleep in the era of hyper-mobility', in Lowry S (ed.), Anywhere and Elsewhere,
    Book Chapters | 2017
    Flanagan P, 2017, 'Inside, Outside and Beyond the Body: wearable interfaces and the future self', in Zhao R; Chan C (ed.), Minding the Digital, Tongji Press, Shenzhen, pp. 108 - 117
    Book Chapters | 2015
    Flanagan P; Papadopoulos D; Voss G, 2015, 'Intimacy and Extimacy Ethics, Power, and Potential of Wearable Technologies', in Fundamentals Of Wearable Computers and Augmented Reality, Second Edition, pp. 31 - 56,
    Book Chapters | 2015
    Flanagan P; Papadopoulos D; Voss G, 2015, 'Intimacy and Extimacy: Ethics, Power, and Potential of Wearable Technologies', in Barfield W (ed.), Fundamentals of Wearable Computing and Augmented Reality, edn. Second Edition, CRC Press, Taylor and Francis Group, pp. 32 - 53,
    Book Chapters | 2014
    Flanagan P, 2014, 'Hong Kong: Cultural Transformation of the Public Sphere', in Curry J; Hanstedt P (ed.), Reading Hong Kong, Reading Ourselves, City University of HK Press, Hong Kong, pp. 66 - 89
    Book Chapters | 2014
    Flanagan P, 2014, 'Trish Flanagan Watt Space Exhibiting Artist 1998 - 1999', in Finnigan P (ed.), 25 Watt, Watt Space Gallery, Newcastle, Australia, pp. 86 - 87
    Book Chapters | 2013
    Flanagan P, 2013, 'The Peripatetic Institute for Praxiology and Anthropology', in Sivan A; Chan D; Wong E (ed.), Studies on Teaching & Learning, Hong Kong Baptist University, Hong Kong, pp. 61 - 76
    Book Chapters | 2011
    Flanagan P, 2011, 'Transit Textiles', in Rolet C (ed.), 5 Continents Woven World 7th Triennale Internationale Des arts Textiles Contemporains, Triennale Internationale de la Tapisserie des Art du Tissu, asbl de Tournai, Tournai, Belgium, pp. 54 - 57
  • Journal articles | 2020
    Blamires S; Spicer P; Flanagan P, 2020, 'Spider silk biomimetics programs to inform the development of new wearable technologies.', Frontiers in Materials, vol.7, pp. 1 - 7,
    Journal articles | 2019
    Frankjaer R; Flanagan P, 2019, 'The technocrafted post-human: introducing cyborganics', Virtualities and Realities New Experiences, Art and Ecologies in Immersive Environments, Renewable Futures, Acoustic Space Journal,, vol. 17,
    Journal articles | 2018
    Flanagan P, 2018, 'Crafting Post-digital fashion', The Journal of the Asian Art Society of Australia, 27, pp. 22 - 24,
    Journal articles | 2017
    Flanagan P, 2017, 'The Renaissance of the Sensual in a Vivacious World', Leonardo Electronic Almanac, 22,
    Journal articles | 2017
    Flanagan P, 2017, 'The Renaissance of the Sensual in a Vivacious World', Leonardo Electronic Almanac, 22,
    Journal articles | 2015
    Flanagan P; Gomez R; Davis R, 2015, 'Transcending Disciplinary, Cultural and National Boundaries: Emergent Technologies, New Education Landscape Through the Cloud Workshop Project', Lecture Notes in Computer Science, 9187, pp. 631 - 642,
    Journal articles | 2015
    Flanagan P, 2015, 'Evolutionary Wearables', Lecture Notes in Computer Science, 9187, pp. 622 - 630,
    Journal articles | 2014
    Flanagan P, 2014, 'A Vibrant Evolution: From Wearable Devices to Objects as Mediators of Experience', Lecture Notes in Computer Science, part 3, pp. 675 - 686,
    Journal articles | 2013
    Flanagan P; Frankjaer TR, 2013, 'Employing Creative Practice as a Research Method in the Field of Wearable and Interactive Technologies', Communications in Computer and Information Science, 373, pp. 31 - 35,
    Journal articles | 2013
    Flanagan P; Vega K, 2013, 'Blinklifier: A Case Study for Prototyping Wearable Computers in Technology and Visual Arts', Lecture Notes in Computer Science, 8014, pp. 439 - 445,
    Journal articles | 2013
    Flanagan P; Vega K, 2013, 'Future Fashion – At the Interface', Lecture Notes in Computer Science, 8012, pp. 48 - 57,
    Journal articles | 2013
    Flanagan P, 2013, '2029 Fashion Futurism', User Experience, 13, pp. 24 - 26,
    Journal articles | 2013
    Flanagan P, 2013, 'Haptic Interface Aesthetics – Feedback Loops, Live Coding and How to Harness the Potential of Embodied Estrangement in Artistic Practices and Aesthetic Theories within Interface Culture', Lecture Notes in Computer Science, 8012, pp. 58 - 67,
    Journal articles | 2011
    Flanagan P, 2011, 'The Ethics of Collaboration', Ctr+P Journal of Contemporary Art, pp. 37 - 40
  • Conference Papers | 2024
    Flanagan P; Xue R, 2024, 'After the digital – re-materialising digital ecologies of craft', in International Symposium of Electronic Art 2023, Brisbane, presented at International Symposium of Electronic Art 2023, Brisbane, 21 June 2024 - 26 June 2024
    Conference Papers | 2023
    Flanagan P, 2023, 'NEEDLE WORK-Revealing relational agency aesthetics of craft through human/robot interaction', in ACM Creativity and Cognition 23, Association for Computing Machinery (ACM), Virtual Event, USA, presented at ACM Creativity and Cognition (C&C’23), Virtual Event, USA, 19 June 2023 - 23 June 2023,
    Creative Works (non-textual) | 2023
    Flanagan P, 2023, ETTE Energy Tree Translator Empath, Perception of Technology -- Exhibition of Contemporary Experimental Crafts, China Academy of Art Crafts Museum, Hangzhou, China, 09 October 2023 - 25 October 2023, medium: optic fibre, linen, cotton, wool, silk, electronics, EMG sensor, Arduino, at: https://tidenews.com.cn/news.html?id=2608066
    Creative Works (non-textual) | 2022
    Flanagan P; Donohoe M; Altavilla D, 2022, Walking through Walls, Paper on Skin, Paranaple convention centre, and Devonport Regional Gallery, 23 June 2022 - 30 July 2022, medium: vintage wallpaper, corrugated cardboard, and Phoenix palm fibre, at: https://burnieartscouncil.com/paper-on-skin
    Conference Papers | 2022
    Flanagan P; Song S, 2022, 'Tracing the Gestures of Intangible Cultural Heritage of Ethnic Minority Crafts', Tsinghua University Beijing, presented at Chinese Cultures, Translation and Contemporaneity: Literature – Cinema - Performance - Visual Arts, Tsinghua University Beijing, 20 May 2022 - 22 May 2022,
    Conference Papers | 2022
    Flanagan P; Wallace-Crabbe G, 2022, 'Flows and crossing zones: counter narratives, experimental Imaging and New Media environments in transcultural art and visual practice', University of Central Asia - Naryn, Kyrgystan, presented at The Nomadic Image: 7th Transdisciplinary Imaging Conference, University of Central Asia - Naryn, Kyrgystan, 23 September 2022 - 25 September 2022,
    Conference Papers | 2022
    Flanagan P; Wallace-Crabbe G, 2022, 'Flows and crossing zones: counter narratives, experimental Imaging and New Media environments in transcultural art and visual practice', University of Central Asia - Naryn, Kyrgystan, presented at The Nomadic Image: 7th Transdisciplinary Imaging Conference, University of Central Asia - Naryn, Kyrgystan, 23 September 2022 - 25 September 2022
    Conference Presentations | 2021
    Flanagan P; Muller C; Lawler-Dormer D; Raupach AM; Bednarz T; Feeney D, 2021, 'Creative and Critical Practices around Museum Technology Collections', presented at Art Association of Australia and New Zealand (AAANZ), University of Sydney, 08 December 2021 - 10 December 2021,
    Conference Presentations | 2021
    Flanagan P, 2021, 'Geographies of Making- Tracing the Material Gestures of Craft', presented at Powerhouse Research Fellows Lectures 2021, Museum of Applied Arts and Science, Sydney Australia, 18 March 2021 - 18 March 2021,
    Conference Presentations | 2021
    Flanagan P, 2021, 'Tracing the Gestures of Craft', 23 June 2021 - 23 June 2021,
    Creative Works (non-textual) | 2020
    Flanagan P, 2020, Digital Materiality : Coded Textiles, Digital Materiality: Coded Textiles, Gallery Lane Cove, 04 March 2020 - 28 March 2020, medium: multi media installation, at: https://www.gallerylanecove.com.au/past-exhibitions-2020-2?pgid=kcbdij72-ee988221-f537-450b-b919-9f6a2d1faaea
    Creative Works (non-textual) | 2020
    Flanagan P, 2020, Maker's Hand, Maker's Hand, Wangaratta Art Gallery, 29 February 2020 - 05 April 2020, medium: Textile, electronics, projection, ceramics, sound, at: https://wangarattaartgallery.com.au/makers-hand-tricia-flanagan-2/
    Curatorial Outputs | 2020
    Kiang R; Flanagan P; Tillman D, 2020, Digital Materiality Public Program, exhibited at: Lane Cove Gallery, Sydney, 28 March 2020 - 28 March 2020,
    Creative Works (non-textual) | 2019
    Bernabei R, 2019, Variations ceramic 3D printed vessels, Femufacture, Japan Foundation, Sydney, 06 February 2019 - 20 March 2019, medium: 3D printed ceramics and brass, at: https://jpf.org.au/events/femufacture/
    Curatorial Outputs | 2019
    Flanagan P; Miller B; Bown O, 2019, MOVE Symposium, exhibited at: UNSW Art & Design, Sydney, 09 March 2019 - 09 March 2019
    Curatorial Outputs | 2019
    Flanagan P, 2019, Femufacture, exhibited at: The Japan Foundation Gallery, The Japan Foundation, Sydney Level 4, Central Park 28 Broadway, Chippendale NSW Australia, 02 February 2019 - 30 March 2019,
    Conference Papers | 2019
    Flanagan PJ; Fraietta A, 2019, 'Tracing the intangible – The Curious Gestures of Crafts' Cultural Heritage', in UbiComp/ISWC 2019- - Adjunct Proceedings of the 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2019 ACM International Symposium on Wearable Computers, Association for Computing Machinery (ACM), London, United Kingdom, pp. 49 - 52, presented at Adjunct Proceedings of the 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2019 ACM International Symposium on Wearable Computers, London, United Kingdom, 09 September 2019 - 13 September 2019,
    Conference Papers | 2018
    Flanagan P; Frankjaer R, 2018, 'Rewilding Wearables: Sympoeitic Interfaces for Empathic Experience of Other-than-human Entities', in TEI '18 Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction, ACM New York, NY, USA, Sweden, pp. 611 - 616, presented at Tangible Embedded Interfaces, Sweden, 18 March 2018 - 21 March 2018,
    Creative Works (non-textual) | 2018
    Flanagan P; Frankjaer R, 2018, Cyborganic BW-V2, Make Known: The Exquisite Order of Infinite Variation, UNSW Galleries, 28 July 2018 - 08 September 2018, at: https://artdesign.unsw.edu.au/unsw-galleries/make-known-exquisite-order-infinite-variation
    Conference Papers | 2018
    Frankjaer R; Flanagan P, 2018, 'Urban Cyborganics', Durban, South Africa, presented at 24th International Symposium on Electronic Art, Durban, South Africa, 23 June 2018 - 30 June 2018
    Recorded / Rendered Creative Works | 2017
    Adhitya S; Davis B; Frankjaer R; Flanagan P; Mahony Z, 2017, BIOdress (video projection), Editor(s): Davis R; Khut G; Moline K, digital projection, Published: 24 March 2017, Recorded / Rendered Creative Works,
    Conference Presentations | 2017
    Flanagan P, (ed.), 2017, 'Critical and Speculative Wearables: Boundary Objects', presented at Human Computer Interaction International, Design Usability and User Experience, Vancouver, 09 July 2017 - 14 July 2017
    Conference Papers | 2016
    Adhitya S; Davis B; Frankjaer R; Flanagan P; Mahony Z, 2016, 'The BIOdress: A Body-worn Interface for Environmental Embodiment', in Broekhuijsen M (ed.), TEI '16 Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction, ACM New York, NY, USA ©2016, Eindhoven University of Technology, at the department of Industrial Design, pp. 627 - 634, presented at Tangible, Embedded and Embodied Interaction TEI 2016, Eindhoven University of Technology, at the department of Industrial Design, 14 February 2016 - 17 February 2016,
    Recorded / Rendered Creative Works | 2016
    Adhitya S; Mahony Z; Frankjaer R; Davis B; Flanagan P, 2016, BIOdress, THE BODY IN TRANSLATION TEI 2016, Senaatszaal Auditorium, Eindhoven University of Technology, Den Dolech 2, Eindhoven, Editor(s): Loke L; Khut G, polyester, thermochromic pigment, nitinol, conductive yarn, micro controllers, sensors, Published: 14 February 2016, Recorded / Rendered Creative Works,
    Curatorial Outputs | 2016
    Davis R; Gomez R; artisan gallery ; Flanagan P, 2016, Wear Next, exhibited at: AVA Gallery, Choi Hung, Kowloon, Hong Kong, 05 March 2016 - 22 March 2016,
    Conference Presentations | 2016
    Flanagan P, (ed.), 2016, 'Time Geography', pp. 18 - 19, presented at Art at the Outermost Limits of Location-Specifciity, Parsons New School New York, 17 November 2016 - 18 November 2016
    Creative Written Works | 2016
    Flanagan P, 2016, The Post-Digital Craftswoman, Fashion + Paper, Scissors & Rock, WU A, (ed.), Hong Kong Leisure and Cultural Services Department and Hong Kong Heritage Museum,
    Conference Papers | 2016
    Flanagan P, 2016, 'Visceral design: Sites of intra-action at the interstices of waves and particles', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 3 - 15,
    Recorded / Rendered Creative Works | 2016
    Flanagan P, 2016, BODYecology (video and artefact), Wear Next, AVA Gallery, Choi Hung, Kowloon, Hong Kong, Editor(s): Flanagan P; Davis R; Gomez R, Video projection, hand spun, woven and indigo dyed blanket, Published: 05 March 2016, Recorded / Rendered Creative Works,
    Recorded / Rendered Creative Works | 2016
    Flanagan P, 2016, Cricket Songs, Fashion + Paper, Scissors & Rock, Hong Kong Heritage Museum, Editor(s): WU P, Interactive Installation, Published: 23 September 2016, Recorded / Rendered Creative Works,
    Conference Presentations | 2015
    Flanagan P; Frankjaer R, 2015, 'Bamboo Whisper – A Cyborganic', presented at Reconfiguring Human and Non-Human: Texts, Images and Beyond, University of Jyväskylä, Finland, 29 October 2015 - 30 October 2015
    Conference Papers | 2015
    Flanagan P; Gomez R; Davis B, 2015, 'Designing Experiences with Wearables: A Case Study Exploring the Blurring Boundaries of Art, Design, Technology, Culture and Distance', in Popovic V; Blackler A; Luh D; Nimkulrat N; Kraal B; Nagai Y (eds.), INTERPLAY, IASDR, Brisbane, Australia, pp. 802 - 820, presented at International Societies of Design Research Conference, Brisbane, Australia, 02 November 2015 - 05 November 2015,
    Conference Papers | 2015
    Flanagan P; Gomez R; Davis B, 2015, 'Designing Experiences with Wearables: A case study exploring the blurring boundaries of art, design, technology, culture and distance', in Popovic V; Blackler A; Luh DB; Nimkulrat N; Kraal B; Nagai Y (eds.), the 6th IASDR (The International Association of Societies of Design Research Congress), IASDR (The International Association of Societies of Design Research), Brisbane, Australia,, 6th IASDR (The International Association of Societies of Design Research Congress), IASDR (The International Association of Societies of Design Research), Brisbane, Australia, pp. 805 - 820, presented at 6th IASDR (The International Association of Societies of Design Research Congress), IASDR (The International Association of Societies of Design Research), Brisbane, Australia, 02 November 2015 - 05 November 2015
    Conference Papers | 2015
    Flanagan P; Gomez R; Davis R, 2015, 'The Pedagogic Prosthetic: Augmented Learning as Content-in-Motion in Hybrid Educational Spheres', in Proceedings - International Computer Software and Applications Conference, pp. 868 - 873,
    Recorded / Rendered Creative Works | 2015
    Flanagan P, 2015, BODYecology 2015 (digital video), Experimental thinking/Design practices,, Griffith University Art Gallery, Brisbane, Editor(s): Moline K, multimedia performance installation, Published: 18 September 2015, Recorded / Rendered Creative Works,
    Recorded / Rendered Creative Works | 2015
    Flanagan P, 2015, Social Anthropology, Social Anthropology, Hotel Stage Gallery, Jordan Hong Kong, Editor(s): Scott T, Multimedia installation, Published: 01 September 2015, Recorded / Rendered Creative Works,
    Recorded / Rendered Creative Works | 2015
    Flanagan P, 2015, Time Topography, Time Topography, Timeless Textiles Gallery, Editor(s): Flanagan P, Published: 15 July 2015, Recorded / Rendered Creative Works,
    Conference Presentations | 2014
    Flanagan P, 2014, 'Peripatetic Pedagogy – Learning in Motion', presented at HERDSA Higher Education Research and Development Society of Australasia Conference, Hong Kong Baptist University, Hong Kong, 07 July 2014 - 10 July 2014,
    Conference Papers | 2014
    Flanagan PJ, 2014, 'A vibrant evolution: From wearable devices to objects as mediators of experience', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 675 - 686,
    Conference Presentations | 2013
    Flanagan P, 2013, 'Reciprocity: participation and exchange in post-acquistive society', presented at JMGA 15th Biennial Conference - Participate and Exchange, Brisbane QLD, 12 July 2013 - 14 July 2013,
    Recorded / Rendered Creative Works | 2013
    Flanagan P, 2013, Estranged Gestures, Estranged Gestures, Karin Weber Gallery, Soho, Hong Kong, Published: 13 August 2013, Recorded / Rendered Creative Works,
    Conference Papers | 2013
    Flanagan PJ; Vega KFC, 2013, 'Future fashion - At the interface', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 48 - 57,
    Conference Papers | 2013
    Flanagan PJ, 2013, 'Haptic interface aesthetics - 'Feedback loops, live coding and how to harness the potential of embodied estrangement in artistic practices and aesthetic theories within interface culture'', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 58 - 67,
    Conference Papers | 2013
    Frankjaer TR; Flanagan PJ; Gilgen D, 2013, 'Employing creative practice as a research method in the field of wearable and interactive technologies', in Communications in Computer and Information Science, pp. 31 - 35,
    Conference Papers | 2013
    Vega KFC; Flanagan PJ; Fuks H, 2013, 'Blinklifier: A case study for prototyping wearable computers in technology and visual arts', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 439 - 445,
    Conference Papers | 2012
    Flanagan P; Vega K; Fuks H, 2012, 'Blinklifier: The Power of Feedback Loops for Amplifying Expressions through Bodily Worn Objects', in 10th Asia Pacific Conference on Computer Human Interaction (APCHI 2012) Conference proceedings Vol. 2, 10th Asia Pacific Conference on Computer Human Interaction (APCHI 2012), Matsue, Japan, pp. 641 - 642, presented at 10th Asia Pacific Conference on Computer Human Interaction (APCHI 2012), Matsue, Japan, 28 August 2012 - 31 August 2012
    Creative Works (non-textual) | 2011
    Flanagan P, 2011, Peripatetic Institute of Praxiology and Anthropology, Beyond Growth?! Ecological Justice. Social Rights. Good Life, University of Applied Science, Berlin, Germany, 11 May 2011 - 15 May 2011

• New Columbo Plan, Mobilities Grant, Australian Government

• UNSW Art and Design, New staff research award

• Hong Kong Heritage Museum new work commission for Fashion + Paper,ÌýScissors & RockÌý

• Hong Kong Baptist University New Staff Research Award, Hong Kong Baptist University, Hong Kong

• Outcomes-Based Teaching and Learning Award, Hong Kong Baptist University, Hong Kong

• Heinrich Boell Foundation Travel Scholarship

• Travelling Scholarship Award, The University of Newcastle, AustraliaÌý

• HCR-CMA Landcare Grant for Denman Creek Public Art Project, Denman Australia

• BHP Biliton, Mt Arthur Coal, Community Grant to produce an Education Kit for Muswellbrook Regional Arts Centre and launch the publication with an exhibition in February

• Country Arts Support Program, ‘Regional Arts Fund’ Grant, TEATRO EXO, Artist in Residency – Upper Hunter, Denman, Merriwa, Gloucester & Singleton Australia. Awarded by Arts Upper Hunter Regional Arts Development Office

•ÌýAustralian Postgraduate Scholarship Award

Ìý

• Powerhouse, Sydney Museum of Applied Arts and Science -ÌýVisiting Research Fellowship

• Centre for Mobilities Research, Lancaster University - Visiting Fellowship

• Max Fabre Foundation Award for Environmental Awareness

• Newton-John Award for Excellence in Creativity and Innovation - Finalist

• Project Anywhere - Parsons New School -ÌýSelected participant

• 7th International Contemporary Textile Triennale, Tournai Belgum -ÌýSelected to represent Oceania

• Tantrum Theatre, NewcastleÌýAustralia -ÌýArtist in-residence

• Palais Youth Venue, Newcastle City CouncilÌýAustralia -ÌýArtist in-residence

Ìý

Tricia investigates hybrid practices emerging at the intersection of digital technologies andÌýtraditional art and design practices, specialising in new materials, wearables,Ìýand generative designÌýthrough research projects such as:

• FemufactureÌýin collaboration with the Japan Foundation of Sydney, Sydney Design Festival, and Art Month Sydney

• The Peripatetic Institute for Praxiology and AnthropologyÌý

•ÌýThe Haptic InterFace Project

• Research Creativity –ÌýPraxis

Tricia is on the steering committee for the World Craft Council affiliated, Knowledge House of CraftÌýand is the founding member of TTIGOCÌý(Tracing the Intangible Gestures of Craft) a collaboration with Chinese ethnic minority master craftspeople and researchers at GYPEC Guiyang, China.Ìý

My Research Supervision

Marcelo Zavala-Baez (MFA), Post Digital Aleatory Crafting -Time Stories

Christine Wiltshier (MFA), (mistake) Making; a research inquiry into how mistakes made, whilst hand knitting become a generative rather than an erasing process?

My Teaching

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