血管/痴别颈苍
Patric (Yue Xian)
STUDENT'S ARTWORK
ARTIST STATEMENT
Introduction As a woman raised in a traditional Chinese family, I've often found myself suppressing my true thoughts and emotions for the sake of harmony and familial expectations. This cultural norm of "For all good" has led me to worry about saying the wrong thing, resulting in the suppression of my individuality. However, as I've matured and developed my independent thoughts and opinions, I've realised that finding a safe platform to express my emotions is far more challenging than I had ever imagined, especially for women growing up in China.? The Problem This realisation sparked my curiosity: Do other women raised in traditional Chinese families feel the same way? To explore this issue further, I conducted internet-based interviews with 50 women from various Chinese family backgrounds, each with unique life experiences and stories. The common theme among these conversations was a shared struggle to freely express their true thoughts and emotions without fear of judgment or repercussion.? Project Goal The primary aim of this artwork is instead to call it an artwork, I prefer to say it’s a safe, private platform where women who share similar struggles can freely express their viewpoints through an immersive audio installation artwork. This installation will serve as a sanctuary for women to voice their deepest thoughts, allowing them to share their struggles, confusion, grievances, and anger. More importantly, it will help them realize they are not alone in this environment, society, or world. Their voices will be heard, and they will feel connected to a broader community of women facing similar challenges.
Artwork medium: Touchdesigner/projector/5 speakers
ARTIST INTRODUCTION
As a third-year Media Art student specializing in installation, video, and sound art, I view art as a vital outlet for expressing my emotions. My work is a translation of the abstract feelings of confusion, discomfort, and incomprehension into tangible forms that I share with my audience. This process of transformation is something I deeply cherish. As a feminist, much of my inspiration is drawn from the societal oppression of women. Through my art, I strive to bring these issues to light, ensuring they are seen, acknowledged, and recognized. My hope is that women who encounter my work will feel a sense of resonance and connection.
Acknowledgement of Country
UNSW School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.
We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.
